Monaco Liquor, Los Angeles, 2017
Meadow Maid Market, Los Angeles, 2017
Bottle Bin Liquor, Los Angeles, 2017
Produce Liquor, Los Angeles, 2017
Recycling Center, Los Angeles, 2017
Davy Jones Liquor Locker, Los Angeles, 2017
North Hollywood Liquor, Los Angeles, 2017
Top Hat Liquor, Los Angeles, 2017
Al's Liquor Store, Los Angeles, 2018
Bogie's Liquor, Los Angeles, 2017
Cliff's Liquor, Los Angeles, 2017.jpg
Danny's Liquor, Los Angeles, 2017.jpg
Deja Vu Liquor, Los Angeles, 2017
Larry's Liquor Store, Los Angeles, 2017
Liquor Mart, Los Angeles, 2017
Michael's Liquor, Los Angeles, 2017
P & J Liquor, Los Angeles, 2017
Rosa's Liquor, Los Angeles, 2017
Royal Liquor, Los Angeles, 2017.jpg
Sheli's Liqour, Los Angeles, 2017.jpg
West Liquor, Los Angeles, 2017
Youngs Liquor Market, Los Angeles, 2017
Circus Liquor, Los Angeles, 2017
Lucky Liquor Market, Los Angeles, 2017
Ben Hassett – Beer Soda Lotto (September 2021)
With Beer Soda Lotto, Ben Hassett has gathered a photographic survey of Los Angeles’ liquor stores, which is as painterly as it is forensic. Part sunlit utopia, part cool analysis of a city on the edge, the series is a poetic and unparalleled portrait of the city.
Fundamentally embedded in a history of street photography – one that sees a nod to Garry Winogrand’s visual cacophony and Ed Ruscha’s calm distance – the compositions celebrate the beauty of LA; breath-taking light fills each image, punctuating every corner and facade. Hassett has a signature and singular ability to capture colour so seductive it hardly feels real. This is his intent. The impossible runs through each composition; where people should be, there are empty streets filled only with buildings bathed in the brilliant desert light. As a result, this work is more about the act of looking, than the actual streets and buildings the viewer is looking at. Hassett’s compositions are about the edges, the colour, the play between decay and beauty.
In the impossible stillness and study of each image there is also urgency. To create the series Hassett methodically plotted each shot and then had to work with incredible speed when in situ. Anyone that knows Los Angeles will tell you that not all neighbourhoods are particularly welcoming. Pausing to take in the city’s facade is not always possible. In Hassett’s images we see things you simply couldn’t absorb in real life; details lost with a blink of an eye. In one image, a blue street sign pops out against a yellow sign for liquor. The signs merge into “cherry Liquor.” In another, a stack of boxes tumble in a room above a bright green store front. Hassett has gone to great lengths to make these images hyper-real, working with an architectural camera that allowed him to correct otherwise converging verticals, compose his photographs and deliver each scene in tremendous detail.
The series has an evocative, timeless melancholy. Hassett’s vision of LA is poetic – against the flat bleakness and empty streets. This is a portrait of a city but also a portrait that illustrates our failure to observe.
British photographer Ben Hassett, (born London 1974), who lives and works in New York City, has established a reputation as one of the most important beauty photographers working today. Experimenting with shadow, light, color and form, he follows in the tradition of Irving Penn and Erwin Blumenfeld, as a commercial photographer who also creates Fine Art.
He is a regular contributor to Vogue magazines worldwide, and his work is held in the collection of the National Portrait gallery in London.
His first monograph, COLOR, was published in the fall of 2019.
Please mail info@davidhillgallery.net with any Ben Hassett exhibition print enquiries.
‘The series has an evocative, timeless melancholy. Hassett’s vision of LA is poetic – against the flat bleakness and empty streets. This is a portrait of a city but also a portrait that illustrates our failure to observe.’ The Eye of Photography